I found a great little tutorial from AudioTuts+ about editing all your takes at once using Apple's Logic Pro 9 recording and mixing software. This tutorial reminded me that you can also do the same thing in Reaper.
One of the many differences between Apple's Garage Band recording software, and Logic Pro is the ability to record multiple 'takes' of something. That means that you can set a region in your song to loop while you record take after take of the same part. This is awesome for particularly difficult vocal or instrument parts. Each time the region loops, a take gets recorded and saved. When you've recorded as many takes as you feel you need to, every take is visible on the track. You can even divide that audio region in segments and pick the best performances in each segment to build the perfect part.
The tutorial I mentioned will show you how to apply certain edits so that they apply to every take simultaneously.
By the way, this exact thing - recording multiple takes and having them all visible on the same track afterward - is a feature of Reaper recording software as well (which is available for PC and Mac). You simply record your first take of a track, rewind to the beginning and record your next take. You can also use the loop function like I described above for Logic Pro. Just highlight your region (you want to make sure to put enough time into the segment as a lead-in for each time it loops), click the 'Toggle Repeat [R] button,' and start recording take after take as above. You can also composite (build from bits and pieces from all the takes) a perfect take from region segments just like in Logic Pro. To view all the takes in one track, make sure to hit Ctrl L or choose Options, Show all takes in lanes (when room).
We have a 19-video tutorial course on audio recording with Reaper - The Newbies Guide To Audio Recording Awesomeness 2: Pro Recording With Reaper for $47. Bethesda elder scrolls news.
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The Logic Pro tutorial can be found here: http://audio.tutsplus.com/tutorials/mixing-mastering/how-to-edit-all-your-takes-at-once-in-logic-pro-9/
Basic Principles
When you record audio to a track in Logic 8 and 9, the basic operation is the same as it ever was. A region is created on the track.
When you record over the same section of the timeline on the track, a take folder is created that contains all the recordings made on the track so far.
If you record in a new section of the song where there is no overlap, then a new region will be created.
Additional recording over the new section will result in a new take folder.
For more information on the basic operation of Takes in Logic 8 and 9, see the User's Guide. Now let's discuss the behavior of takes in cases where recordings overlap in various ways.
New recordings that partially overlap the end of an existing region
Let's say that you have a region on a track that spans bars one to five, and you make a new recording that starts a bit before bar five and continues past the end of the existing recording. Logic will either create a new independent region or a take folder that encompasses both the new and existing recordings. There are two factors that determine which will happen:
- The count-in or pre-roll setting in Logic's Recording Options
- The amount of overlap between the new and existing recordings
Logic compares these two intervals. If the overlap between the existing region and the new recording is equal to or less than the count-in or pre-roll, a new independent region is created.
In the above image, a new recording was made starting at measure four, with a count-in setting of one measure. Because the overlap was one measure, which equaled the count-in setting, a new region was created. When this track is played, the original recording will play, until the start of the new region, which will play from that point onward.
If the new recording overlaps the existing recording by more than the count-in or pre-roll setting, a take folder is created that encompasses both recordings.
In the above image, a new recording was made starting at 3 4 1 1, which overlapped the original recording by one measure plus one beat. Because this overlap is larger than the one measure count-in setting, a take folder was created extending from bar one to bar nine.
Keep in mind that the amount of overlap necessary to cause take folder creation will vary, depending on your count-in/pre-roll setting. If you specify a count-in of 'none', then the 'grace period' for take folder creation is two beats.
Recordings that span two adjoining regions or take folders
When new recordings overlap two adjoining take folders, the same basic interaction of count-in/pre-roll and amount of overlap apply. There are more possible variations, because Logic considers the amount of overlap in both directions. Let's look at four scenarios:
Recording Delay Logic 9
In the first scenario, the new recording starts less than the count-in/pre-roll amount from the end of the first take folder, and then continues into the second folder.
Logic places the new recording entirely within the second take folder, and extends it enough to the left to accommodate the new recording.
In the second scenario, the new recording starts well before the end of the first existing take folder, and extends less than the count-in/pre-roll amount into the second folder.
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Logic places the entire recording entirely within the first take folder. Starcraft 2 requirements.
In the third scenario, the new recording overlaps both the first and second take folders by more than the count-in/pre-roll length.
The new recording is divided between the two take folders.
In the fourth scenario, the new recording overlaps both of the take folders by less than or equal to the count-in/pre-roll length.
Recording Vocals Logic 9
An independent region belonging to neither take folder is created.
